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Inside
the large building a wide range of historical artifacts details the history of
the two towns, which began as one community called Raymondtown, according to
RCHS president Frank McDermott. The town hall for Raymondtown sat in the same
place as Raymond’s current town hall on Route 85. The long drive from Casco to
visit the town hall prompted the split into two towns, McDermott said. With the
common history, it only makes sense to have a common museum, he added.
The
purpose of the society is to preserve the history of Raymond and Casco,
McDermott said. One of the challenges is the movement of people, he added. “Casco
still has some old families, but Raymond doesn’t. The old families have gone by
the wayside,” he said. When families haven’t been in the towns for several
generations, history doesn’t mean as much to them, he said.
The
museum collection is spread between two buildings – the main museum and the old
barn from the Watkins farm. Displays are unique and varied, including
photographs of the Wilson Spring House, an early competitor of Poland Spring,
an exhibit on Princess Goldenrod, a local Native American entrepreneur in the
1950s, Casco High School memorabilia, and much more. The barn houses some of
the larger items, including soda fountain and advertising memorabilia,
collections of tools and farm equipment. And out back a surprise awaits
visitors in a third building, the classic antique automobile barn. Skip
Watkins, who donated the land and built the museum for the society, and leases
them the historic barn, houses his vast collection of restored classic cars here,
which the historical society can show to visitors.
In
early August, the museum will host its annual Antiques & Collectible
Appraisal event. On Wednesday, August 10th at 5 p.m, people can bring their
antiques and collectibles to the museum. For $5 per item, they will receive an
appraisal by Harry Hepburn III, a licensed and bonded appraiser and auctioneer
who has been dealing in antiques since 1971. McDermott said Hepburn has a
sterling reputation in the area, and puts on a good show. | Can you see the scissors? |
| Shard found. |

Small designs buildings for a living. The show house is
the first tiny house he had designed. It took six months to get everything
right. “We put a lot of time and research in the design. It’s quite complicated
to fit everything in a small space,” said Watson. The upfront design is more
important, knowing how each inch will be used. From the electrical and plumbing
to knowing how to fit a light switch between a window and door, Small worked to
perfect the design.
“It’s a luxurious space,” Watson said. “With no mortgage,
no bills, no maintenance.” She said there is a lot less to pay for living in a
house as small as some people’s walk in closets.
Watson has noticed that most people who are interested
are not looking for a tiny house to use a primary residence, but rather as a
place to stay on lakefront property or at a family camp to have their own
personal space. Some in Windham are interested in using a tiny house as an
in-law suite.
Schoolhouse Arts Center in Standish brings Beauty and
the Beast to life, with all the Disney splendor and enchantment, in a
production local theater fans will find charming and delightful. Directed by Dillon
Bates, with the help of assistant director Adam Gary Normand, it’s a huge show
with a cast of 30 whose opening night jitters were quickly replaced with an
awakening of confidence that empowered them to easily push the magical fairy
tale into the audience and pull them right back in (thank you, Lumiere).
Belle proves to be a determined prisoner who is not
afraid to speak her mind, while the servants of the castle, who have all been
turned into household items as part of the same spell, now have new hope that
the Beast and Belle can fall in love and they, too, can become human again. It’s
a monumental task, a journey filled with twists and surprises, and lots of evil
forces to fight along the way, but ultimately—with some coaching, bending,
changing, civility and forgiveness—the goal is achieved.
Zac Stearn is outstanding as Lumiere. His stage skills
are top notch but his animation is especially captivating with priceless
expression (think Jim Carrey). Also impressive were Danny Gay as Cogsworth (and
lighting designer) and Barbara Laveault as Mrs. Potts, Sarah Flagg as Madame De
La Grande Bouche and Katie Lind as Babette.
This is home-town Maine summer community theater at its
best. Disney magic aside, there’s something quite magical about an old
schoolhouse, a charming rustic building now supported with patches of love and
attention. When you walk in, you notice it’s a weathered building, in need of
dusting, washing, painting, normal things, with rooms dotted with donated items
and leftover pieces and writings from past events. It’s not the neatest house,
but it’s the busiest house in the neighborhood, where kids flock to create and
explore.