By Walter Lunt
Her name was Phyliss. She had no last name. She lived a significant portion of her life in Windham, District of Maine, Massachusetts. Her vocation was described as that of “servant” for the family of Windham’s second settled minister: Parson Peter Thatcher Smith. In reality, servant was the polite term for slave. Phyllis, or Phillis, was a slave. She arrived in Windham as part of the dowry of Elizabeth Hunt Wendell of Boston, who wedded the parson in 1764. She was a “wedding present” from Madam Wendell, as she was known, the mother of the bride.
Madam Wendell, the slave-holder, was an artist. She hailed from a prominent Boston family and was an ancestor of the writer Oliver Wendell Holmes. Her third marriage was to Rev. Thomas Smith, the father of Windham’s Parson Smith. Incredibly, she was first Parson Smith’s mother-the-law, and later his stepmother (Phyllis, Bygone Servant – Portland Evening Express, May 23, 1969).
Phyllis
tended to the needs of Parson Smith, his wife Elizabeth and their 11 children.
It is believed she was well treated, and may have occupied a small, partially
finished room on the second floor of what it now known as the Parson Smith
House on River Road.
Peter Lenz,
historian and author of Slavery in Colonial Massachusetts, New Hampshire and
Maine, wrote in an article for the Portland Press Herald in 1997, “In all
likelihood, she (Phyllis) was well and kindly treated, but had she left she
undoubtedly would have had a runaway slave ad taken out against her for
recapture.”
Lenz goes on
to label a myth that “African American bondswomen, children and men had it
good, in a happy, contented extended family situation.”
Although
photography did not exist in the time of Phyllis, posterity is fortunate to
have her likeness recorded on an American “dummy board,” so-called because the
painted life-sized figure remains mute. Used in the Parson Smith House as a
fire screen (in front of a roaring fireplace to disperse heat and sparks), the
portrait features a light-skinned “maid” carrying a tray of steaming cups of
chocolate. The oil painting on wood was displayed to the public in the 1950s when
the Parson Smith House was operated as a local house museum by the “Society for
the Preservation of New England Antiquities (now Historic New England). It is
now in storage at H.N.E. in Boston and the subject of controversy among local
historians who feel it should have stayed in Windham.
Elaine
Dickinson, the current owner of the Parson Smith House, who resides there with
her daughter Holly, says the Phyllis fire screen was loaned to H.N.E. by the
Smith/Anderson family decades ago and rightfully belongs with the house.
“We still
call it Phyllis’ room,” said Elaine, referring to the upstairs area where
architectural evidence suggests where the young girl might have stayed and
worked, probably weaving and sewing, “we talk about her constantly.”
Sadly, not
much beyond her very existence is known about Phyllis. Oral tradition,
according to former town historian Betty Barto, indicates that she was never
freed, and probably never received a respectable burial.
Across River
Road from the Parson Smith House, on the consecrated grounds of Smith-Anderson
Cemetery, off to one side, are tiny, jagged rock markers, usually reserved for
paupers…or perhaps, “servants.” <
Next
time, another well-known early settler of Windham who allowed his slave to
“buy” freedom by keeping half his military wages.